Claude Debussy, Ravel are the primary composers. John Cage's influence is best seen in three areas. Name them.

The artist who was part of the High Renaissance in Italy was Raphael.

He was born in 1483 in Urbino and became one of the most famous painters and architects of the 16th century. Raphael's work and style exemplified the characteristics of the High Renaissance, which was characterized by a focus on classical art, a renewed interest in the human form, and a shift towards more naturalistic art.

Raphael's work during the High Renaissance was marked by his ability to capture the beauty and grace of the human form, particularly in his depictions of women. His use of color and chiaroscuro, in which light and shadow are used to create depth and dimension, further emphasized the naturalism of his paintings. His most famous works include The School of Athens, The Sistine Madonna, and La Belle Jardinière. Raphael's contributions to the High Renaissance in Italy helped to shape the course of Western art and continue to influence artists today.

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Minor gameplay enhancements that are sold after a game is released are commonly referred to as "DLC" or "downloadable content.

DLC has become a popular practice in the gaming industry as a way for developers and publishers to generate additional revenue and keep players engaged with their games.

These enhancements are often created post-release to provide ongoing support and expand the longevity of a game.

DLC allows developers to continue developing and refining their games based on player feedback, introducing new content to keep the gameplay fresh and offering players the opportunity to further customize their gaming experiences.

While DLC can sometimes be controversial, when implemented thoughtfully, it can provide players with new and exciting gameplay options and extend the overall value of the game.

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False. Rock music has frequently incorporated elements from various musical styles, including jazz, which has contributed to its diversity and evolution over time.

The statement that rock has always been resistant to the integration of other musical styles such as jazz is not accurate. In fact, rock music has a long history of incorporating and integrating elements from different genres, including jazz.

Rock music emerged in the 1950s as a fusion of various styles such as rhythm and blues, country, and gospel. Throughout its evolution, rock has continually absorbed and experimented with elements from diverse musical genres, including jazz, funk, soul, reggae, and even classical music. This integration has resulted in a wide range of rock subgenres, each with its unique blend of influences.

The incorporation of jazz elements in rock music can be observed in various aspects. Many rock musicians have drawn inspiration from jazz improvisation and complex harmonic structures, incorporating them into their compositions and performances. Fusion genres like jazz-rock fusion and progressive rock have explicitly explored the combination of rock and jazz elements, often featuring intricate instrumental solos and complex rhythmic patterns.

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False. Ann Radcliffe's writing style, often referred to as "Radcliffean," did not involve the explicit explanation or rationalization of supernatural elements. Instead, Radcliffe was known for her use of suspense, atmosphere, and psychological tension in her Gothic novels.

She employed a technique called "terror," which involved creating a sense of impending danger and mystery without fully revealing or explaining supernatural occurrences.

Radcliffe's novels were instrumental in popularizing the Gothic genre and influencing subsequent writers, but her approach focused more on creating an eerie and suspenseful atmosphere rather than providing explicit explanations for supernatural phenomena.

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The development of the tape studio and synthesizers after World War II ushered in the age of electronic music.

These technological advancements revolutionized the way music was composed, produced, and performed, leading to the emergence of a new era in musical expression.

The age of electronic music refers to a period in music history characterized by the widespread use of electronic instruments and technologies in composition and production. The invention and refinement of tape studios and synthesizers in the post-World War II era opened up limitless possibilities for musicians and composers to explore new sounds, textures, and sonic landscapes.

Electronic music allowed for the manipulation and transformation of recorded sounds, the creation of entirely synthetic sounds, and the exploration of unconventional timbres and tonalities. It also paved the way for experimental and avant-garde approaches to composition, as well as the development of various genres and subgenres within electronic music, such as ambient, techno, and electronic art music. The age of electronic music marked a significant shift in musical aesthetics and techniques, shaping the landscape of contemporary music and influencing a wide range of musical genres and styles.

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Shirley Temple does not hate white girls in the novel "The Bluest Eye" by Toni Morrison. This statement is incorrect or based on a misunderstanding.

In "The Bluest Eye," Shirley Temple is a fictional character and a popular figure idolized by the young protagonist, Pecola Breedlove. Pecola, who yearns for acceptance and beauty, fixates on the image of Shirley Temple as a representation of white beauty and innocence.

However, Pecola's feelings are not directed towards white girls in general but rather towards the beauty standards and societal ideals that prioritize whiteness.

The novel explores the damaging effects of internalized racism and the yearning for acceptance in a society that values white features over Blackness. It does not portray Shirley Temple as someone who is hated or holds any personal animosity towards white girls.

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The musical was Twyla Tharp a broad way musical choreographed in 1943 about the mid-west and used balletic form.

Tank Dive, Tharp's first choreography to be shown in public, was performed at Hunter College in 1965. Throughout the following quite a while she arranged various pieces, a significant number of which utilized road garments, an exposed stage, and no music. She gained a small but devoted following through her offbeat, technically precise explorations of various movement types and combinations.

In 1971, Tharp began creating dances for larger audiences that were inspired by jazz music. Her movement held its specialized splendor, frequently overlaid with a demeanor of lack of concern, while its dashes of sassy humor turned out to be more stamped. Tharp established herself as one of the most innovative and well-known contemporary choreographers with works like Baker's Dozen (1979), The Fugue (1970), Deuce Coupe (1973), Push Comes to Shove (1976), and Baker's Dozen (1979).

Tharp received extensive music and dance instruction as a child, both in her hometown of Portland, Indiana, and in Los Angeles. She attended the American Ballet Theatre School while attending Barnard College, where she was taught by Richard Thomas, Martha Graham, and Merce Cunningham, among others.

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Making discriminating judgments about art is inherent to all art criticism.

Art criticism involves the evaluation and interpretation of artworks, which inherently requires making discriminating judgments. Art critics assess various aspects of an artwork, such as its aesthetics, composition, technique, concept, and cultural significance, in order to form their opinions and provide insights.

These judgments involve analyzing and comparing different artistic qualities, contextual factors, and theoretical frameworks.

While contextual theories of art and formal theories of art offer specific approaches to understanding and evaluating artworks, discriminating judgments are essential in all art criticism.

Critics engage in the process of discerning and evaluating artistic merits, expressing their preferences, and providing critical assessments of artworks. Discriminating judgments are integral to the practice of art criticism, regardless of the specific theoretical framework or context being employed.

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The term for a musical idea associated with a person, object, or thought, used by Richard Wagner in his operas is leitmotif. This term refers to a recurring musical theme that is associated with a particular character, idea, or emotion and is used to help tell the story and convey deeper meaning and symbolism.

Wagner is famous for his use of leitmotifs in his operas, such as the "Ride of the Valkyries" theme associated with the warrior maidens in his opera "Die Walküre." Overall, leitmotifs are an important tool in the composer's arsenal for creating a complex and meaningful musical narrative in his operas.

The term for a musical idea associated with a person, object, or thought, used by Richard Wagner in his operas, is called a "leitmotif." Leitmotifs are recurring musical themes that represent characters, emotions, or ideas in a narrative, and they serve to unify and enhance the overall artistic experience. Wagner employed this technique to create a more immersive and interconnected experience in his operas, connecting the music and the drama more closely.

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Bartók immigrated to the United States during the Second World War and remained there for the last few years of his life.

Béla Bartók, the renowned Hungarian composer and pianist, left his native country during the turbulent years of the Second World War.

In 1940, he immigrated to the United States and settled in New York City. Bartók faced difficult times during his early years in the US, struggling with financial hardship and declining health.

However, he continued to compose and teach, leaving a significant impact on the musical landscape. Unfortunately, his health deteriorated, and he passed away in New York City in 1945, a few years after his immigration.

Bartók's time in the United States represents a significant chapter in his life, marked by his perseverance in artistic pursuits despite personal challenges.

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The first Northern humanist artist to develop perspective and proportion in his art was Jan van Eyck.

Jan van Eyck, a Flemish painter from the 15th century, is credited as the first Northern humanist artist to incorporate perspective and proportion into his artworks. Van Eyck was a pioneer in the use of linear perspective, which involves creating the illusion of depth and spatial relationships on a two-dimensional surface.

He mastered the technique of representing objects realistically and accurately in terms of their size and placement within the composition. Van Eyck's meticulous attention to detail, precise rendering of forms, and incorporation of perspective transformed the artistic practices of the time and laid the foundation for the development of perspective in Northern Renaissance art.

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Pianist Diana Krall made her name with a trio inspired by the midcentury musician Nat King Cole.

Diana Krall gained recognition and established her musical identity by drawing inspiration from the legendary midcentury musician Nat King Cole. Nat King Cole, a renowned jazz pianist and vocalist, left a significant impact on the music world with his distinctive style and smooth, velvety voice. His influential recordings and performances in the mid-20th century left an indelible mark on jazz and popular music.

Diana Krall, who emerged in the 1990s, paid homage to Cole's musical legacy by incorporating his timeless elegance, phrasing, and sophisticated approach to her own piano playing and singing. By channeling the spirit of Nat King Cole, Diana Krall captivated audiences and solidified her reputation as a talented pianist and vocalist, eventually becoming one of the most successful contemporary jazz artists of her generation

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The artist who created the cartoon chose to use caricatures to portray the representatives of the nations shown in order to exaggerate their distinctive features, satirically comment on their characteristics or actions, and create a humorous or critical depiction.

The use of caricatures in portraying the representatives of nations in a cartoon serves several purposes. Caricatures are exaggerated and often humorous representations that highlight and magnify distinctive physical features or personality traits of individuals. By employing caricatures, the artist can create a satirical commentary on the representatives' characteristics, actions, or stereotypes associated with their nations. Caricatures can be used to make a critical statement or to create a humorous effect, allowing the artist to convey a specific message or critique through visual satire. They serve as a visual shorthand, instantly recognizable and relatable to viewers, helping to convey complex ideas or criticisms in a simplified and accessible manner. The use of caricatures in the cartoon provides a means for the artist to express their perspective and engage viewers in a thought-provoking and entertaining manner.

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According to the Khan Academy videos, the post-impressionist artist who ignored linear perspective and broke shapes where it suited his compositions is Paul Cézanne.

Cézanne's approach to painting was revolutionary in its departure from traditional rules of perspective. He believed that color and form were more important than strict adherence to realistic representation. Cézanne often fragmented and manipulated shapes in his compositions, emphasizing the underlying structure and exploring multiple viewpoints simultaneously.

His innovative approach laid the groundwork for the development of Cubism and greatly influenced the direction of modern art. Cézanne's disregard for linear perspective allowed him to create a unique visual language that focused on the essential elements of the painting.

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To evoke the splendor of heaven.

The magnificent rose window at Chartres Cathedral is made up of tiny pieces of glass in gem-like colors that are meant to evoke the splendor of heaven.

This window is one of the most stunning and iconic features of the cathedral, and it is a testament to the incredible skill of the craftsmen who created it. The colors and patterns of the glass are carefully chosen to create a dazzling effect that is meant to transport the viewer to a realm of divine beauty and majesty.

The rose window is an important symbol of the spiritual significance of the cathedral, and it serves as a reminder of the profound connection between art and religion in the Middle Ages. Overall, the rose window at Chartres Cathedral is a remarkable example of the power of art to inspire awe and wonder in the human spirit.

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The given statement "Some modernist composers sought to shake listeners out of a state of complacency by distorting traditional musical practice" is True because they believed that traditional musical practices had become too predictable and lacked innovation, leading to a sense of musical complacency among listeners.

These composers sought to challenge and disrupt traditional musical forms, techniques, and conventions, creating new and unconventional sounds to provoke and stimulate listeners. Examples of such composers include Arnold Schoenberg, Igor Stravinsky, and Edgard Varèse.

By intentionally distorting traditional musical practices, these composers aimed to shake listeners out of their comfort zones and encourage them to engage with music in a fresh and thought-provoking manner. Their innovations sparked debates, challenged established norms, and paved the way for the development of new musical styles and techniques in the 20th century.

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To identify records without data in a column named "colb," you can use the conditions IS NULL or IS NOT NULL..

IS NULL: This condition checks whether the column "colb" has a NULL value. If a record has a NULL value in the "colb" column, it means that there is no data stored in that column for that particular record. The query would look something like this: "SELECT * FROM table_name WHERE colb IS NULL;". This will return all records where the "colb" column is empty or contains NULL values.

IS NOT NULL: Conversely, this condition checks whether the column "colb" does not have a NULL value. By using "IS NOT NULL," you can retrieve records where the "colb" column has some data stored. The query would be: "SELECT * FROM table_name WHERE colb IS NOT NULL;". This will return all records where the "colb" column is not empty or does not contain NULL values.

Using either of these conditions will allow you to identify records that do not have data stored in the "colb" column, depending on whether you want to retrieve the empty records (IS NULL) or the records with data (IS NOT NULL).

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Some art historians believe that Jean-Honoré Fragonard's painting "The Swing" may have been a depiction of the Rococo era's hidden eroticism and the complexities of social class.

"The Swing," created by Fragonard in 1767, is a renowned Rococo painting that has sparked debates among art historians regarding its underlying themes. This interpretation posits that the painting explores the hidden eroticism prevalent in the Rococo period, characterized by the pursuit of pleasure, sensuality, and indulgence.

Furthermore, the presence of a concealed lover adds another layer of complexity to the painting. A gentleman, hidden in the shadows, pushes the swing, symbolizing a secret romantic liaison. This element hints at the clandestine nature of relationships in the aristocratic society of the time, where extramarital affairs were not uncommon.

It is essential to note that while this interpretation offers insight into the possible themes explored in "The Swing," it is not the only valid interpretation. Artistic works often contain multiple layers of meaning, and the true intention of the artist can be elusive. Fragonard himself left no definitive explanation for the painting's symbolism.

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Pollock's painting technique highlights the most significant aspect of gestural abstraction, which is the emphasis on d. the process of painting.

Jackson Pollock was a prominent figure in the abstract expressionist movement, and his unique approach to painting revolutionized the art world. His technique involved dripping, pouring, and splattering paint onto a canvas, creating dynamic and energetic compositions. By emphasizing the process of painting itself, Pollock's work transcended the traditional focus on the final product. He believed that the act of creating art was just as important, if not more so, than the resulting image. Pollock's paintings captured the spontaneous and intuitive gestures of his body in motion, allowing the physicality of the process to become an integral part of the artwork. His approach rejected the idea of preconceived forms or deliberate compositions, instead embracing the freedom of improvisation. The emphasis on the process of painting in Pollock's technique enabled him to express emotions, energies, and subconscious impulses directly onto the canvas. Furthermore, the emphasis on the process of painting in gestural abstraction also highlights the artist's personal engagement with the medium. Pollock's physical involvement with the paint, his use of unconventional tools, and his experimental techniques demonstrated his deep connection and exploration of the materials and their possibilities.

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The era known for full-length secular plays called comedies is the Spanish Golden Age, which took place during the 16th and 17th centuries.

This period saw a flourishing of Spanish literature and arts, with playwrights such as Lope de Vega, Tirso de Molina, and Calderón de la Barca producing numerous works that combined elements of tragedy, comedy, and romance.

Comedians were particularly popular during this time and often featured complex plots, colorful characters, and witty dialogue.

Many of these plays continue to be performed and studied today, making the Spanish Golden Age a significant period in the history of theatre and literature.

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Louis-Jacques-Mandé Daguerre was not able to include moving subjects, such as people, in photographs like "Le Boulevard du Temple."

Louis-Jacques-Mandé Daguerre, a French artist and photographer, is known for his contributions to the development of early photography, particularly the daguerreotype process. In his photograph "Le Boulevard du Temple," taken in 1838, he captured a street scene in Paris. However, due to the long exposure time required for early photographic techniques, moving subjects, such as people, did not appear in the final image.

The exposure time was several minutes, and moving objects would not be captured as they were constantly in motion. As a result, the photograph shows a seemingly empty street, devoid of human figures, even though the area was bustling with activity.

Daguerre's limitations in capturing moving subjects were a characteristic of the early stages of photography and were overcome with subsequent technological advancements.

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Contemporary art challenges art history's study of period and regional styles by breaking traditional boundaries, embracing interdisciplinary approaches, and promoting individual expression over adherence to specific stylistic conventions.

Contemporary art, by its very nature, defies easy categorization within traditional period and regional styles. It resists being neatly placed into predefined boxes, instead blurring the lines between different art movements and challenging established norms. Contemporary artists often draw inspiration from diverse sources, incorporating elements from various historical periods, cultures, and regions into their work. This fusion of influences creates a unique and hybrid artistic language that defies easy classification.

Furthermore, contemporary art embraces interdisciplinary approaches, combining different mediums, techniques, and forms of expression. Artists may incorporate elements of sculpture, installation, performance, digital media, and more, challenging the notion of art as a strictly visual or static medium. This interdisciplinary nature expands the possibilities for artistic creation and challenges the traditional study of period and regional styles, which primarily focus on specific mediums or time periods.

Moreover, contemporary art places a strong emphasis on individual expression and personal narratives. Artists often prioritize their own experiences, perspectives, and identities, rather than conforming to established styles or movements. This emphasis on individuality and subjectivity challenges the notion of art history's study of period and regional styles, which often seeks to categorize and analyze artworks based on broader historical and cultural contexts.

In summary, contemporary art challenges art history's study of period and regional styles by defying easy categorization, embracing interdisciplinary approaches, and prioritizing individual expression. It opens up new avenues for artistic exploration and encourages a more fluid and dynamic understanding of art across time and cultures.

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A capoeira performance entails several elements, including music, dance-like movements, acrobatics, and martial arts techniques. These elements come together to create a unique and dynamic display of skill and artistry.

In capoeira, music plays a crucial role. Performances are accompanied by traditional capoeira instruments such as the berimbau, pandeiro, and atabaque. The music sets the rhythm and mood of the performance, guiding the movements of the participants.

The dance-like movements of capoeira are an integral part of the performance. Participants engage in a series of fluid and graceful movements, often resembling a combination of dance and martial arts. These movements are executed in a circle called a roda, where participants take turns showcasing their skills.

Acrobatics are another notable element in capoeira performances. Capoeiristas incorporate flips, cartwheels, handstands, and other acrobatic maneuvers into their routines, adding excitement and visual spectacle to the performance.

Lastly, capoeira performances incorporate martial arts techniques. Participants engage in a playful and non-contact sparring called "jogo" within the roda. The techniques include kicks, sweeps, and takedowns, all executed with precision and agility.

In summary, a capoeira performance encompasses music, dance-like movements, acrobatics, and martial arts techniques. These elements combine to create a captivating and energetic display of skill, artistry, and cultural expression.

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The statement that best describes an aspect of intrinsic motivation is option c: It can be influenced by others.

Intrinsic motivation refers to engaging in an activity for its own inherent enjoyment or interest, rather than for external rewards. While intrinsic motivation primarily originates from within an individual, it can still be influenced by external factors, such as feedback, encouragement, or the social environment.

Intrinsic motivation is driven by internal factors, such as personal interest, satisfaction, and a sense of competence or autonomy. However, external influences can play a role in nurturing and supporting intrinsic motivation. For example, positive feedback and recognition from others can enhance an individual's intrinsic motivation by reinforcing their sense of accomplishment and self-worth.

Similarly, a supportive and stimulating social environment can provide the necessary conditions for individuals to fully engage in activities they find intrinsically motivating. While intrinsic motivation ultimately comes from within, external factors can shape and enhance its expression, further encouraging and fostering a person's internal drive.

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The US Supreme Court used the strict scrutiny test to decide the case in Brown v. Entertainment Merchants. This is a long answer because it requires an explanation of what the strict scrutiny test is and how it applies to this particular case.

Strict scrutiny is the most rigorous standard of judicial review used by courts when evaluating the constitutionality of a law or policy. It requires the government to demonstrate that the law or policy in question is narrowly tailored to serve a compelling state interest, and that there are no less restrictive alternatives available. In Brown v. Entertainment Merchants, the Court was considering a California law that prohibited the sale or rental of violent video games to minors.

The Court held that this law violated the First Amendment's protection of free speech, and applied the strict scrutiny test to reach this conclusion. The https://brainly.com/question/17432386found that the government had not provided sufficient evidence to show that the law was narrowly tailored to serve a compelling state interest, and that there were less restrictive alternatives available to achieve the state's goals. Therefore, the Court struck down the law as unconstitutional.

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The statement is True. In the 19th century, rhythm in music often became less regular and more complex compared to earlier periods. Composers of the Romantic era sought to explore new expressive possibilities and expand the range of emotions in their music.

As a result, they employed rhythmic devices such as syncopation, irregular meters, and asymmetrical phrasing to create a sense of unpredictability and heightened emotional intensity. This departure from the more rigid and predictable rhythms of earlier classical music allowed for greater freedom and flexibility in rhythmic expression during the 19th century.

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For scenes requiring large amounts of space, scenery, and the full effect of outdoor lighting, location shooting offers the best control is True.

A scene is usually thought of as a section of a movie that takes place in a single location and continues for an extended period of time. It is made up of a series of shots, each of which is a collection of contiguous frames taken by different cameras at different angles.

A film's scene, an act, a sequence (longer or shorter than a scene), and a setting (usually shorter than a scene) are all parts of a scene. The term "scene" refers to the continuity of the observed action, whereas the terms refer to a predetermined sequence and continuity of observation caused by the editor's or camera's handling: an association of characters, time, or place.

The term might allude to the division of the film from the screenplay, from the completed film, or it might just happen in the brain of the observer who is attempting to close on a rationale of activity. For instance, parts of an action movie that take place in the same location but play at different times can also be broken up into multiple scenes. Similarly, there can be equal activity scenes at various areas as a rule in isolated scenes, then again, actually they would be associated by media like phone, video, and so on.

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A piano trio consists of piano, violin, and cello.

It is a chamber music ensemble that showcases the interplay between these three instruments. The piano acts as both a melodic and harmonic instrument, providing the foundation and often taking on the role of accompaniment. The violin and cello, on the other hand, primarily fulfill melodic roles, with the violin often taking the lead and the cello providing a rich bass line. The combination of piano, violin, and cello allows for a wide range of musical possibilities. The piano can provide lush chords, intricate melodies, and rhythmic accompaniment, while the violin and cello can engage in intricate duets and harmonies. The contrasting timbres of the instruments create a rich and balanced sound. Piano trios have a long and rich history in classical music, with composers such as Haydn, Mozart, and Beethoven contributing significant works to the repertoire. The ensemble continues to be popular today, with contemporary composers also exploring the expressive possibilities of the piano trio format.

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